Pricing: How to Set It and When to Raise It
Ask any owner how they set their price and the answer is one of three: cost plus, like the market, or by feel. None of the three is pricing — they are ways of avoiding the decision.
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01 — Overview
Overview
Cost tells you where your floor is. It does not tell you your price. Between them is a space settled by a decision, not by arithmetic — and the three usual methods all avoid making it. Cost-plus is the worst of them in one specific way: it ties your price to your efficiency, so the better and faster you get, the less you earn.
The course starts by computing a floor you may not go below — with your own time inside it, which is where most owners who work with their hands discover they are selling at a loss. Then it moves to what the customer is actually buying, a structure of three options that changes the question from “do I pay” to “which one”, a written discount policy, and the mechanics of raising a price: on new customers first, in writing, with notice, and without apology.
And it cites no figure at all — not mine, not a “usual” profit rate, and not what anyone else charges. A published figure becomes a reference copied without its scope, and prices change so it misleads two years later. Lesson four says plainly that I do not publish my own prices, explains why, and explains when publishing is the right call for you anyway.
02 — What you will learn
What you will learn
What is wrong with each of the three usual methods — and why cost-plus punishes you for mastery
Building a floor from three layers, with your own time priced inside it
The strongest question in pricing: what happens to the customer if they do not buy?
Three options that differ by scope rather than quality — and why a phantom option costs you the customer
When publishing your price helps and when it hurts, and the middle path of a starting point
What a discount actually costs, the four cases where it is legitimate, and what to give instead
Raising the price: the five signals, testing on new customers, and the message that does not apologise
The four meanings of “expensive”, the one question that reveals which, and when to walk away
03 — The lessons
The lessons
- Why You Price Wrongly — and the Decision You Are Avoiding
- Your Floor: What You May Not Go Below
- Value, Not Cost: What Your Customer Is Actually Buying
- The Price Structure: Options, Presentation and Publishing
- The Discount: The Most Expensive Word You Say
- Raising the Price: How, When and On Whom
- “Expensive”: What It Means and How to Reply
- The Capstone: Your Pricing Sheet and the Audit
04 — What you get
What you get
8 interactive lessons in short sections
~4 hours including hands-on tasks
A 32-question audit + a ninety-day plan
Not one figure cited — every example is by method
05 — How subscribing works
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06 — Questions, answered
Questions, answered
Will it tell me what to charge?
No, and it says so in lesson one rather than in a closing footnote. You will find not one figure in it — not my price, not a “usual” profit rate, and not what anyone else charges. A published figure becomes a reference that gets copied without knowing what scope, cost and market sit inside it, which is exactly the mistake the course is written to stop. What it gives you instead is a floor computed from your own numbers, a way to read the value your customer sees, and a structure to present it in. Every example is by method, and you put your own numbers into every exercise.
You teach pricing but do not publish your own prices. Is that not a contradiction?
It is a fair question, and lesson four answers it directly rather than avoiding it. Publishing suits a defined product or a service of fixed scope: it saves your time and the time of whoever your price does not suit, and it builds trust. It does not suit work whose scope differs greatly case by case, because a published figure is read without its scope and becomes the comparison before what is in it is understood. My work is the second kind, so I do not publish — and the lesson says plainly that this is my position and not a rule for you, and that if what I sold were defined and fixed I would publish it. There is also a middle path many find useful: a starting point, with what makes it rise.
How is it different from the business numbers course?
That course computes the margin, the break-even and the cash forecast; this one decides the price those numbers respond to. The boundary is drawn in lesson one and kept throughout: when a calculation belongs to that course, this one names it and moves on rather than repeating it. The clearest example is the discount — the exact arithmetic of what it takes out of your margin is over there, and here you get the decision rules built on top of it: the four cases where a discount is legitimate, what to give instead, and why a discount repeated three times has become your price.
I am afraid of losing customers if I raise the price.
That fear is the subject of lesson six, and its first line is that what frightens most is not the customer’s reaction but that you have never tried it. So the course gives you the cheapest possible experiment: raise on new customers only, announce nothing, and run it for two months. You learn whether the market accepts it without risking a single existing relationship. Before touching existing customers you compute how much in sales you can lose and stay at the same profit — a calculation whose answer surprises most people, because the whole increase enters the margin. And some will leave; usually the ones who were buying on price alone.
Does it teach negotiation tactics?
Not in the sense of tricks. Lesson seven is about understanding rather than manoeuvring: “expensive” has four different meanings, and treating all four with a price cut loses in three of them. So the lesson gives you one question — “expensive compared with what?” — then silence, and a different reply for each meaning. It also draws a line the course does not cross: a phantom option built to be refused, and a price that differs because you judged the customer can afford more with no difference in what they receive, are both things I do not advise — and the first to discover either is the customer.
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